Are you intrigued with the delicate art of Japanese flower arrangement? So was Katherine Wallick, the treasurer of Virginia Peninsula Chapter of Ikebana International from 1972-1973. Wallick took a variety of workshops for her craft, including workshops with Ellie O’Brien in 1970 as well as Jackie Kramer of Holland. Researchers can track Wallick’s progress as an ikebana student through the diagrams and notes in her workshop notebooks, as well as a vast collection of her photographs, magazines, and books on the topic. The images below detail a few items from the collection’s holdings.
Katherine Wallick writes notes to herself on Japanese phonetics in this personal ikebana study notebook, dated from 1970-1972.
E- A as in ape (or eh)
i – ee as in “eek”
o- o as in Bow
u- u as in super
Below this phonetic breakdown is a note about the Sogetsu school of ikebana. There are many schools of ikebana, each following its own philosophy of design and style.
This bound compendium of Ikebana International Magazine contains issues from 1974-1977. The pages displayed here are from Issue 47 contain images and descriptions of the materials and containers used in each arrangement, as well as a critical description of the arrangements pictured.
This second notebook page contains a preliminary sketch of the “basic upright style” ikebana arrangement that Wallick was learning about. The angle at which certain plant elements (such as flowers, leaves, or stems) lean at is of utmost importance in ikebana arrangements. One can note the system by which Wallick identified the different elements in her arrangements (perhaps as instructed so by her teacher) by comparing this page with the other notebook on display.
With the passing of President Emeritus Talbot “Sandy” D’Alemberte we would like to take a moment to reflect on his life and his contributions. He has had considerable impact on Florida State, serving the university since 1984 and teaching through this past spring, as well as the political and legal fields.
D’Alemberte was a Tallahassee native, his childhood home was located just across the street from the capitol building. His grandfather attended the Seminary West of the Suwannee River and his mother attended Florida State College for Women, both predecessor institutions to Florida State University. He earned his bachelor’s degree from the University of the South and his Juris Doctor from the University of Florida.
D’Alemberte was well known in the law community for his work helping underserved populations and for his commitment to human rights. He served in the Florida House of Representatives from 1966 to 1972 and as President for the American Bar Association from 1991 until 1992. His work in the legal field won him numerous awards from the Florida Bar Foundation Medal of Honor in 1987 to the Florida Academy of Criminal Defense Lawyers Annual Criminal Justice award in 1993 to an Emmy from the National Academy of Television Arts and Sciences for his work allowing in allowing electronic journalists access to court proceedings.
He served as the fourth dean of the Law School from 1984 to 1989 and President of the University from 1994 until 2003. He established a public pro bono requirement for FSU Law School students, a rarity at the time. He was instrumental in developing Florida State University’s College of Medicine which graduated its first class in 2001, and the National High Magnetic Field Laboratory was established during his tenure. He led a campus wide beautification project which resulted in the renovation of the College of Law’s Village Green and the Heritage Museum’s renovation. He was honored with his own commemorative window in the museum in 2017.
Visitation for family and friends will take place from 5 to 7 p.m. this evening in the D’Alemberte Rotunda at the FSU College of Law.
A memorial service will be held on Wednesday, June 5th at 2pm in Ruby Diamond Concert Hall. Both are open to the public. The Heritage Museum will remain open until 5pm on Wednesday to allow visitors to view D’Alemberte’s window.
Several unprocessed collections of D’Alemberte’s papers are housed in Heritage & University Archives and the Claude Pepper Library. Included are administrative files from his time as President of the University and his files from his time as Dean of the College of Law. For more information on our collections, please contact Heritage & University Archivist, Sandra Varry at firstname.lastname@example.org.
The Digital Library Center (DLC) recently uploaded a new set of material to the Castro Archaeological Site Collection in DigiNole! The most recent additions to this collection contain comprehensive notes, drawings, and analysis of the Castro archeological site in Leon County. More information on this collaboration between the DLC and FSU’s Department of Anthropology can be found on our previous post from August 2018.
In addition to preserving important details about the excavation of the Castro site, digitizing and uploading this collection to DigiNole gives visitors a glimpse into the day-to-day operations of both professional and student archeologists.
Though this marks the end of digitization of the Castro material, our collaborative efforts with the Department of Anthropology will continue. Keep an eye out for more updates as we continue to add more archaeological content to DigiNole!
Florida has long played host to the production of films and television series, from seminal horror film Creature from the Black Lagoon (1954, parts of which were filmed in our very own Wakulla Springs!) to the current production of Bad Boys for Life (currently filming in Miami and slated for a 2020 release). The Richard Alan Nelson Collection contains documents detailing film production in various Florida cities, movie posters, motion picture companies, publicity stills of actors and actresses, and film law.
The collection even features a folder (7, in Box 922) of what the cinema scene looked like in Tallahassee at the time of Nelson’s dissertation work, the late 1970s. In a preserved volume of New Look, a local entertainment magazine, journalist Rick Oppenheim described local cinemas struggling to keep their doors open, paying “90% of their box office receipts (with house operations skimmed off the top) to a tight-fisted [film] distributor for the rental of a first-run film”, leading to cinemas holding on to blockbuster films like Star Wars (which were highly expensive to rent) for months on end, and less likely to gamble on new films which may hurt their bottom line.
For more information on this collection, please visit its finding aid. If you’d like to visit Special Collections and explore the documents in person, we welcome visitors Monday to Friday, 10 am to 6 pm.
We are pleased to announce that additional records of the St. John’s Episcopal Church are now available online through DigiNole: FSU’d Digital Repository. These include records of baptisms, marriages, and burials at St. John’s throughout the 20th century, as well as early vestry minutes, detailing early church events such as establishing the site of the building and cemetery, selecting rectors, and historical practices such as renting seats in the pews. These supplement previously digitized records of church rites and the journals of Reverend W.H. Carter. Genealogists, St. John’s parishioners, and researchers of Tallahassee history will all find value in greater access to these materials.
St. John’s is the mother church of the Diocese of Florida. It was founded as a mission parish in 1829, and the church’s first building was erected in 1837. The Diocese was organized at St. John’s in 1838 and Francis Huger Rutledge, who became rector of St. John’s in 1845, was consecrated the first Bishop of Florida in 1851. The original church burned in 1879; a new church was built on the same site and consecrated in 1888, and it is still the parish’s principal place of worship.
The physical collection includes administrative records; member registries; meeting minutes of the Vestry and church circles; Bibles, Books of Common Prayer, hymnals, and other liturgical works; documentation of the history of St. John’s Church and the Episcopal Diocese of Florida; service bulletins and other periodicals; sermon transcripts; photographs; and motion pictures.
Summer is indeed a quieter time on campus. Today starts the summer term here at FSU and we wish all students the best of luck in their summer classes.
We recently posted in DigiNole: FSU’s Digital Repository more volumes of The Girl’s Own Paper, or The Girl’s Own Annual as it was eventually titled. You can browse issues from this publication geared at young British girls and teenagers from the years 1880-1893 in DigiNole. This is an ongoing digitization project so be sure to look out for “new” issues in the future. This publication is a part of the larger John MacKay Shaw Childhood in Poetry Collection. Titles from that collection which have been digitized may be browsed and searched in DigiNole as well.
In loading some new titles to the John MacKay Shaw Childhood in Poetry Collection, I noticed an event popping up in several of the texts. The Lord Mayor’s Show, an event still held today, was a popular topic in British children’s books in the 1800s.
Children’s books in this era were often used to educate and explain people, place, nature and events to children. As the first example, Lord Mayor’s show, or, The 9th of November(1810) shows. This hand-colored picture book explains all the pageantry surrounding the event as well as takes the reader through each individual event that makes up the Show.
Another example shows how prominent events in children’s lives could always be used to teach a lesson. In The rose-bud: a flower in the juvenile garland, a poem entitled “Lord Mayor’s Show” shows a young boy exclaiming over all the pomp and circumstance around the traditional parade at the Lord Mayor’s Show. His parents are quick to point out it is the hard work the Lord Mayor puts in that is valued and not the gold of his carriage.
The Lord Mayor’s Show is one of the longest running events of its kind, dating back to the 16th century and still celebrated today on the same date as the young children in the 1800s would have celebrated it. Both of these examples show how children’s literature can give us a glimpse into how events have changed, or remained the same.
As FSU heads towards the summer class semesters, generally a much quieter time on campus, Special Collections & Archives will be available by appointment only during the intersession week, May 6-10, 2019. Appointments are available between 10am to 12pm and 1pm and 4pm during this week.
The Special Collections Research Center in Strozier Library, the Pepper Library Reading Room, and the Heritage Museum will all be closed during that week. SCA has started to use this time to complete projects and prepare new projects for the summer as well as clean up and re-shelve our stacks after the busy semester.
If you need to make an appointment for any of those spaces during the intersession week, please contact Special Collections at email@example.com or call us at (850) 644-3271. We will resume our normal operating hours on Monday, May 13, 2019.
Herbaria are collections of different plant specimens which have been dried and preserved. They can be used for many different reasons including personal collecting and as data necessary for scientific studies. FSU even has a museum-quality collection of plants and micro-algae specimens held at the Robert K. Godfrey Herbarium.
Special Collections also has a good sized collections of herbals, including a 1791 portable herbarium of plants in the vicinity of Liege. This item is without a cover and has varying degrees of water and age damage throughout the pages. The specimens which were originally in the item were removed in order to better preserve the book, however the impressions and stains they left on the pages are still easily visible. The original specimens from this item can be viewed from a CD which is included with the book within Special Collection.
I particularly like how indents and water marks from leaves can be seen within the gutter of some of the pages. It gives the item character, and speaks of an unnamed person who sometimes may have slipped leaves in the pages of the book for safe keeping or as bookmarks. This book is designed to have been bought with the text only, and each page which would hold a plant would be inserted as that herb was found. It’s a design not often seen in books but nifty for the use of this particular book.
In comparison, Ruby Diamond’s collection of pressed flowers from her trip to Jerusalem is in phenomenal condition. This particular item should sit on the table as seen in the image (left) with the spine facing to the right as is customary when reading Hebrew text. This particular herbaria has a cover made of wood from Jerusalem and is something Diamond probably bought while in Israel to fill with the plants. This method of collection, buying a pre-made book and filling it with one’s own items, is a common theme when it comes to herbaria. When opened, the beautifully arranged herbs show the care that was put into this travel sized item.
Each page of herbs is covered with a thin absorbent paper that will keep the pages, for the most part, from suffering water and mold damage. It shows to be very effective when compared to the 1791 portable herbaria. The spine of this item is very stiff and it should not be opened all the way as one would assume. Instead, it is best to open an item like this only slightly to avoid any long term damage. Likewise, the specimens on the pages of this herbaria should only be exposed for a short amount of time to protect them from chemicals or pollutants that may damage them if exposed for too long.
Bertram was born in Clarksville, Georgia on February 17, 1916. She attended nursing school at the Brewster Hospital and School of Nurse Training in Jacksonville, Florida, which was the first African American hospital in the United States. She then enlisted in the U.S. Army on May 1, 1941 at Fort Bragg, North Carolina. While in the Army, Bertram served as a ward nurse in Fort Bragg and later in the West African theater.
Her collection includes numerous photographs depicting herself and her fellow nurses in uniform, as well as African American G.I.s, and a few photographs from her time in West Africa. Her collection also includes an oral history transcript, personal items, newspaper clippings, and manuscripts. This collection is important, as it covers the unique experiences of women and African Americans during World War II, and offers insight that differs from the majority white male G.I. perspective. It depicts African American nurses in both a professional setting, and a casual setting as Bertram enjoyed downtime with her friends.
Lee Morrison has been involved with the Institute on World War II and the Human Experience since Summer 2018. After graduation, he will pursue a Master’s Degree in Medieval History at Florida State University.
Gillian Morton has been involved with the Institute on World War II and the Human Experience since Spring 2016. After graduation, she will pursue a Master’s Degree in Information Studies at the University of Texas at Austin.