The Digital Library Center has been working with the Art History department for a few years now to digitize and make available a collection of stereographs. While the collection is wide-ranging in its topics, its main focus is on Paris and her environs just prior to “Haussmannization,” or a series of public works projects led by Georges-Eugène Haussmann, which redesigned Paris in many ways. We recently loaded a new set of materials into this collection and wanted to share a few in this set that have the added bonus of color!
A former hunting ground of the French Kings, Bois de Boulogne is a large public park on the outskirts of the 16th arrondissement of Paris. It was created as part of Haussmann’s work for Napoleon III who had been impressed by Hyde Park in London during his exile and wanted to include more public parks in his reimagining of Paris (Wikipedia).
Parc de Saint-Cloud is now considered one of the most beautiful gardens in Europe. On the outskirts of Paris, it was once home to the Château de Saint-Cloud. However, the castle was destroyed during Napoleon III’s war with the Prussians and completely razed in 1892 (Wikipedia). The cascade featured in this stereograph no longer exists; if you visit the park today, you would see waterfalls, but none in the design of the original castle.
L’Arc de Triomphe needs no introduction. She has stood proudly in Paris’s Place de l’étoile since 1836. Wanted by Napoleon in 1806, the Arc de Triomphe was inaugurated by the French king, Louis-Philippe, who dedicated it to the armies of the Revolution and the Empire (City of Paris).
The Digital Library Center partnered with the Department of Art History to host a UROP student this semester, Chase Van Tilburg. Here is a bit about him and his work over the last two semesters.
My name is Chase Van Tilburg, I am working towards my Bachelor’s of Arts in Art History and my Masters of Arts in Museum and Cultural Heritage Studies. I currently work for University Housing as a Resident Assistant. In Fall 2016 I was granted the life changing opportunity to be a part of the Undergraduate Research Opportunity Program (UROP). Through UROP I was introduced to the John House Stereograph Collection.
Going into this project, I was both excited and nervous. I truly did not know what to expect. I began with little knowledge of digital archival work and of what a Digital Archivist was. While working with the John House Stereograph Collection, I really looked deep into the images when identifying them. With each card I wrote metadata for, it felt as if I was a part of the image. Documenting each card forced me to dig deep into the historical and visual context of each image and do detailed research into each card to properly identify the locations, monuments, and architecture.
Working with this collection I realised that it is not enough to just look at the cards on the computer. The experience of physically handling each card and viewing them stereoscopically is an extraordinary and vital experience, one in which I want to make available to everyone. To do this I am taking this collection beyond the 2D digital image and am taking these cards into the 3D realm by scanning each card into a 3D model with the help of the FSU Morphometrics Lab. This project helped me to discover a passion for Museum and Cultural Heritage Studies, and for that, I will be forever grateful.