African American students, faculty, staff, and alumni also tell their story during the 40th anniversary of integration, for which a statue was commissioned featuring the first black graduate, athlete, and homecoming queen. The exhibit concludes with a spotlight on FSU’s first black administrator, Dr. Bob E. Leach, whose speeches inspired students for over a decade (1978-1988) and who served as a model of leadership for the university.
The exhibit also aligns with the goals of FSU’s recently established Civil Rights Institute. The interdisciplinary institute will sponsor events, speakers, publications, education, and research on civil rights and social justice. Its collections will be housed in Strozier Library and include historical African American newspapers, the Tallahassee Civil Rights Oral History collection, microfilm editions of NAACP and ACLU organizational records and the Emmett Till archives.
This is a guest-post by students Josalin Hughes and Julia Kleser, Editing, Writing, and Media majors, whose project for their Advanced Writing and Editing course this semester is to help create content highlighting portions of Special Collections holdings.
As we progress from the otherworldly and spooky atmosphere of October and deeper into the holiday spirit of November, it can be hard to let go of Halloween. After all, the exciting and haunting energy has been building since the first of the month. We hope everyone had a happy Halloween and want to introduce the work of an author near and dear to our hearts. Edward Gorey was a curious character who created spectacular—or spooktacular, rather, to stay in-season—books for children. Although not gory, as his name may suggest, some readers describe his art as “unnerving” or “creepy.” Marsha Gontarski, the researcher who compiled and donated the entire Marsha GontarskiChildren’s Literature Collection, refers to his style as “subtle and unsettling.”
Girl on Fire
One of the most well-known works, and perhaps most suitable for this recently passed holiday, is The Gashlycrumb Tinies which you can find in the Marsha Gontarski Collection. As pictured below, the poem takes on the form of a traditional alphabet-style book. Where Gorey’s version differs though, is the somewhat disturbing subject matter of each letter; from Amy to Zillah, each letter names a child who dies in a tragic, absurdor nonsensical way.
The darker tone of the poem bleeds in through the images that accompany the single-line deaths. Each illustration is inked in heavy, purposeful strokes in all black. Without the variation of color, his style relies on different textures and contrast to tell each morbid tale.
Creepy Baby and Bug Book
Even outside of The Gashlycrumb Tinies, Gorey’s other work carries this same eerie quality, one which inspired well-liked artists such as Tim Burton. Taken from his 1984 engagement calendar, An Edward Gorey Bestiary, are a few illustrations that mirror the unsettling style seen in The Gashlycrumb Tinies, with some splashes of color. Although his style may vary to include a more clean and colorful appearance, the stories he tells remain a little ghastly.
In The Bug Book, Gorey follows the lives of a family of delightfully cute and colorful bugs, and their murderous plot against the black bug who didn’t quite fit in with their lifestyle.
What makes a children’s book?
Despite the more mature themes of his illustrated poems and short stories, such as death/murder, violence, and alcoholism, his works are often regarded as being made for children. This poses a question of what makes “a children’s book,” an element explored throughout the works included in the Marsha Gontarski Collection. Do illustration-heavy works fall into the category of being “for kids,” simply due to our societal understanding that picture books are childlike in nature? Do children pay attention to the same themes and motifs that catch the eyes of adults? These questions are prevalent in the discussion around Gorey’s work, and can be asked again and again as we make our way through literature assigned to the genre of children’s books.
Although the season of ghosts, vampires, and bogeymen has ended, the spirit of the dark and disturbed doesn’t have to. Edward Gorey has a lot of works that we were unable to include in this post—be sure to come visit them in the Special Collections Reading Room, open Monday to Thursday, 10am – 6pm, or Friday 10am – 5:30pm. The reading room is on the first floor of Strozier Library. Gorey’s books, as well as so many other works using visual elements designed for children, are available in the Marsha Gontarski Collection.
A guest post by Brianna McLean, who currently works in Special Collections and the Heritage Museum. She is a history graduate student working on her M.A. in Early Modern European History.
This semester, I have been working with our Rare Books Librarian, Rachel Duke, and learning about the Napoleon Collection here in Special Collections. As a history graduate student studying Early Modern France, this collection has been extra rewarding to examine. There are so many exciting pieces, such as Napoleon’s death mask, Eighteenth-century manuscripts, documents about France’s colonies and women during the time, newspapers, pamphlets, secondary scholarship on France, and more. The best part is that all of these items are just waiting inside Strozier Library to be examined and studied.
The Napoleon Collection is particularly strong when it comes to Napoleon’s military campaigns and works by and about prominent French Revolutionary and military figures. The collection includes works by Napoleon, Marie Antoinette, Robespierre, Marat, and more. For me, the best part of this collection are the memoirs. Memoirs are one of my favorite parts of history because you can learn so much about a person by what they wanted to portray to the public about themselves. Some of the memoirs are even digitized in E-book form, available on databases like Hathi Trust if researchers want online access as well. But FSU has our own digital repository, Diginole, and some Napoleonic manuscripts are accessible there, such as this 1772 regiment list of revenues and expenses.
In 2018, Special Collections received an incredible donation to the Napoleon Collection: the Michael La Vean Collection. This over-4000-book collection is the perfect addition to the Napoleon Collection because it adds new dimensions, such as an increase in women’s narratives. Researchers may be interested in this collection because of its emphasis on gender studies, history of sex, European naval history, military uniforms, and the history of European royalty. Currently, Special Collections is preparing to catalog the La Vean Collection to make it accessible to researchers.
When collections are donated, they are usually kept in the same order as the donor, or creator, gave them, until they can be ordered by call number. As a library and museum assistant, I feel fortunate to be able to view the collection in its original order. La Vean organized his collection topically into different subjects such as “Medieval,” “Vendee & French Civil War,” “Women General,” “Napoleon Family,” and “Naval,” among others. This semester, I am learning about this collection and figuring out the most important items and what should be cataloged first. Researchers are encouraged to visit Special Collections with any inquiries about the collection while it is being processed.
This is just a small glimpse into our French Revolution Collections. If you are interested in seeing what the Napoleon Collection has to offer, please stop by Special Collections and visit the library catalog, setting “Strozier, Napoleon Collection” as your location.
Poetry has, traditionally, served as an excellent way to remember things. The human brain just seems to better retain information that rhymes, and a rhythmic quality can bring the words to mind in an instant.
Lines that are intended to aid in memorization are called mnemonic verses, and we use them on a daily basis. Think of when you try to determine how many days are in a month: “Thirty days hath September…” Or when you consider how “neither” should be spelled: “I before E except after C…” Is that snake in your yard friend or foe? “Red on black, friend of Jack…”
There are even longer mnemonic verses for memorizing heftier material. For example, this witty little song for the history of the monarchy in England (sung to the tune of Good King Wenceslas):
Willie, Willie, Harry, Stee,
Harry, Dick, John, Harry three;
One, two, three Neds, Richard two
Harrys four, five, six... then who?
Edwards four, five, Dick the bad,
Harrys twain and Ned the Lad;
Mary, Bessie, James the Vain,
Charlie, Charlie, James again...
William and Mary, Anna Gloria,
Four Georges, William and Victoria;
Edward seven next, and then
George the fifth in 1910;
Ned the eighth soon abdicated
Then George the sixth was coronated;
After which Elizabeth
And that's the end until her death.
Originally published in 1816 and 1817, the book was largely popular in the UK, but it spread to the US toward the later half of the nineteenth century. The book has funny little woodcuts depicting various scenes and then a rhyming verse that helps the reader remember their times tables. Here are a few examples:
Some of the most beautiful woodcut work appears on the borders. Here is close up of the corner piece on that last one:
Finally, my favorite page shows a child holding a book just like the one the image appears in! It also mentions the bookshop that sold Marmaduke Multiply’s Merry Method of Making Minor Mathematicians, which happened to be financially linked to the publishing house that produced the book (talk about savvy marketing!):
What rhymes do you remember from childhood?
Marmaduke Multiply’s Merry Method of Making Minor Mathematicians. New York: Dover Publications, 1972. Print.
It isn’t every day we digitize a 17th-century book about pirates. A few months ago, a colleague at the University of South Florida (USF) Libraries asked if we would be able to digitize our copy of Bucaniers of America, or, a true account of the most remarkable assaults committed of late years upon the coasts of the West Indies: by the bucaniers, of Jamaica and Tortuga, both English and French : wherein are contained more especially, the unparallel’d exploits of Sir Henry Morgan, our English Jamaican hero, who sacked Puerto Rico, burnt Panama, &c. (we just don’t title books like that anymore do we?). We were happy to oblige and also excited about why USF wanted a digital copy.
They were working with The Tampa Bay History Center on a new exhibit, Treasure Seekers: Conquistadors, Pirates & Shipwrecks and while USF was providing their copy of the book for the physical exhibit, they also wanted to be able to provide access to a digital copy as well. Due to the age and binding of the volume, it was a tricky digitization project but we persevered in the end! You too can now take a look at this fascinating volume chronicling the exploits of the buccaneers that ruled the waters of the Caribbean in the 1600s which includes the very famous Captain Morgan.
Recently, while engaging in a record survey project involving the Claude Pepper papers, I discovered Pepper’s influential work in lowering hearing aid costs to improve affordability and strengthen precise hearing loss screenings among seniors.
Senator Claude Pepper was perhaps the first politician to grasp the burdens of older Americans owning hearing aids. In fact, many people that were 65 and older during his congressional service either couldn’t afford hearing aids, because their insurance didn’t cover the cost, or they were exposed to fraudulent tactics to purchase them. As sellers created the illusion that hearing aids could either physically cure hearing loss or prosthetically correct hearing loss to a state of normalcy. And, in some cases, older adults fell victim to purchasing two hearing aids for both ears when only one was necessary due to a faulty diagnosis. As a result, Claude Pepper took great pride in building awareness about hearing aids and affordability by introducing the H.R. 646 Bill on January 15, 1979, to propose a supplementary medical insurance program to aid in covering hearing aid costs and safeguard consumer abuse. The bill also pushed for hearing aid manufacturers to advertise that hearing aids could not cure or impede hearing impairments. The bill demanded that the Food and Drug Administration mandate the requirement of an audiologist examination before purchasing hearing aids under the Medicare program to secure accurate treatment. Senator Pepper fought hard for this great cause, even though Congress later decided to reject the bill.
If you would like to learn more about Claude Pepper’s work regarding hearing aid legislation, please visit the Claude Pepper Library & Museum. Materials are available for researchers and can be discovered online through the collection’s finding aid.
The following blog post was written by Special Collections & Archives staff member April Martin.
Literature with functional qualities such as pull tabs or pop-ups are often considered children’s entertainment. However, paper products with mechanical elements were originally created as tools used by adults. Religious calendars, calculation tools, and navigational aids were found in the form of a volvelle. This was a circular chart housing a rotating disc that exposed information as it was turned. Volvelles were invented during the 13th century by Matthew Paris, an English historian, artist, and Benedictine monk. De Corporis Humani Fabrica Lirbri Septem (1543), a human anatomy book, pioneered the next form of paper engineering. Andreas Vesalius designed the textbook incorporating flaps and sleeves to produce a sense of depth necessary to display accurate anatomical placement of bones, muscles, and organs.
In the late 18th century illustrated books began being printed merely for pleasure reading. The History of Little Fanny (1810) provided a new form of entertainment as the first paper-doll book with movable paper clothes. The end of the 19th century is considered to be The Golden Age of Movable Books. During this time Lothar Meggendorfer of Munich, Germany led the industry in innovative paper engineering techniques. His work introduced a single pull tab that created multiple life-like movements. Unfortunately, during World War I many German production facilities were destroyed and the demand for novelty books decreased.
International Circus, an adaption of an 1887 antique pop-up book by Lothar Meggendorfer
After a fifty year hiatus, movable books made a return. The Bookano Series, published by Giraud in the mid 1900s, produced three-dimensional structures that stood up as the page opened. Previously known as “spring ups,” the Blue Ribbon Press soon coined this kind of book “pop-up.”
The Dwindling Party by Edward Gorey with three-dimensional structures from varying perspectives.
Caldecott Medal winner Paul O. Zelinsky created one of today’s most complex movable books, Knick-Knack Paddywhack (2003). The Illustrator and his engineering partner, Andrew Baron, included over 200 moving parts. Another Zelinsky classic, Wheels on the Bus, featured turning wheels, pivoting tabs, pull tabs, and flaps. Watch the clip below to see it in action.
Pop-up and movable books are still the products of inspired artists with an ability to teach. There is no age limit to the enjoyment of a well engineered moveable book. Adults can appreciate the meticulously constructed pages while children feed their imaginations. Paper engineering will likely remain a source of creativity and entertainment in years to come due to its endless possibilities.
Keepsake Carousel is a dimensional reproduction of antique art by Ernest Nister. The dual photo is created with interwoven discs maneuvered by a ribbon pull tab.
All of the books featured in today’s post come from the Marsha Gontarski Children’s Literature Collection, which can be accessed at the FSU Special Collections & Archives Research Center.
It’s basketball season time again in college sports. The men’s Florida State University team takes to the court in their first non-exhibition game of the season this evening against the George Washington Colonials. The Lady Noles already have two wins on the books for this season!
Over the summer, we digitized and made available in the FSU Digital Library, media guides and almanacs highlighting past teams. From the first handbook in our collection featuring the 1966 men’s squad to the almanac celebrating our men’s 2012-13 ACC Championship win to the first women’s team media guide we have in our collections from the mid-1980s, these materials provide a fun and detailed look into past basketball teams here at FSU. Looking forward to watching both teams this year live up to their predecessors! To browse all the Sports Media Guides, visit the FSU Digital Library. You can limit your search to a specific sport using the terms listed under Topical Subject along the lefthand side of the screen.
We do quite a bit of patron-driven digitization in the Digital Library Center. A lot of it is for researchers who are unable to visit Tallahassee and we like to share these materials in DigiNole as often as possible because, as our manuscript archivist notes, if one researcher needed one, there is probably another one out there too! These sorts of requests have gotten large parts of the Admiral Leigh papers online and are the reason we’re currently working on the Sir Leon Radzinowicz papers as well. However, this one might be one of my recent favorites.
Anulus nuptialis: De amore sponsi celestis dyalogus incipit, cuiu s titulus est iste is a 1450 bound manuscript. Written in a humanistic hand by a single scribe on parchment with initials in red with gold, blue with gold and green with gold ornament, it is an unrecorded text in the form of a dialogue between Mother Scolastica and Symona and Felix, all brides of Christ, written by nuns in a convent. Ph.D. student, Rachel Duke, here at FSU is working with this volume for her dissertation and needed high-quality reference images of the object for her work. We’re happy to be able to share out this incredibly unique work with everyone else now. I asked Rachel to share some information about the work to help people understand what it’s about. It somehow got even cooler:
It’s a dialogue, which you can see pretty clearly from the images, between Felix, Symona, and their mother Scolastica. Their lines are marked “Fe,” “Sy,” and “Ma” (for Mater). Symona and Felix are twin sisters and the biological offspring of the mother of the convent. This is during a time where a father would die and the widow and her daughters would all enter the convent.
I’m writing my dissertation about how the text demonstrates the rise of some humanist leanings in northern Italy in the 15th century, even in convent communities. Most convent literature doesn’t just have a dialogue between women, and the dialogue found here is so kind and understanding. Felix and Symona express their doubts about their ability to live up to the hefty role of brides of Christ, and Mater Scolastica repeatedly reminds them that they can find the strength within themselves to succeed in this life. It really is quite encouraging and loving. While I have a pretty good guess as to which convent this is related to (and have presented on those inklings at conferences), we don’t have a definitive answer to who these people were. Scriptoria were fairly common within convents, so there is the possibility that it was composed and even copied within a convent.
The text is in Italianate Latin, and in an extremely legible humanist hand. We can see many different colors of ink in the margins and in the decorations: (Brown, pink, purple, green, etc.). There are some locations where a space for a larger initial should have been left but the scribe likely forgot, and the letter has been squeezed in right next to it.
The book has gold brushed edges, something you can’t see in the images but is beautiful to behold in person. It is perfectly sized to fit in your hands comfortably, a little larger than the length of my hands in person.
We don’t have an exact date or location because someone has excised any information that could help us track down provenance. If you look on the first decorated folio, you can even see where someone attempted to wash out what was probably a library stamp. The colophon has an excision (actual rectangle CUT OUT from the text identifying the target audience). It is very frustrating.
We purchased this book from Laurence Claiborne Witten II, who was a pretty famous bookseller of the middle of the 20th century. He was famously involved in the sale of a likely forgery! Anulus Nuptialis might be a good starting point for a study into somewhat dubious antiquarian book sales.
Florida State administration building has changed often since the founding of the University in 1851. Originally, the administration building was known as “College Hall” and was built in the same spot where the current administration building is today.
College Hall at Florida State College – Tallahassee, Florida. 1901. Black & white photoprint. State Archives of Florida, Florida Memory. Accessed 9 Aug. 2017.
However, in 1910, because “College hall” was deemed structurally unsafe, it was knocked down and rebuilt into the administration building we know today and named “Florida State College’s Administration building” until 1936, where it was named after James D. Westcott, Jr. Westcott was a former student and Florida Supreme Court justice who left a large sum of his estate to the university and declared that the profits only be used towards teacher’s salaries.
Harper, Alvan S., 1847-1911. Portrait of Supreme Court Justice James D. Westcott, III – Tallahassee, Florida. Between 1868 and 1885. Black & white photoprint. State Archives of Florida, Florida Memory. Accessed 9 Aug. 2017.
In 1969, the Westcott administration building suffered severe interior damage, due to a fire. Although much of the interior was destroyed, the university was able to preserve the original collegiate gothic exterior that we know today. Renovations on the building were not completed until 1973 and Westcott is now deemed as an exemplary element of the university.
View showing TFD personnel fighting fire at the Westcott Building from an aerial ladder – Tallahassee, Florida. 1969. Black & white photonegative. State Archives of Florida, Florida Memory. Accessed 9 Aug. 2017.