All posts by lisaplayfsu

Ikebana Insights with the Katherine Wallick Collection

Are you intrigued with the delicate art of Japanese flower arrangement? So was Katherine Wallick, the treasurer of Virginia Peninsula Chapter of Ikebana International from 1972-1973. Wallick took a variety of workshops for her craft, including workshops with Ellie O’Brien in 1970 as well as Jackie Kramer of Holland. Researchers can track Wallick’s progress as an ikebana student through the diagrams and notes in her workshop notebooks, as well as a vast collection of her photographs, magazines, and books on the topic. The images below detail a few items from the collection’s holdings.


Katherine Wallick’s Ikebana Workshop Notebook, 1970
Katherine Wallick Ikebana Collection
01 MSS 2008-020

Katherine Wallick writes notes to herself on Japanese phonetics in this personal ikebana study notebook, dated from 1970-1972.

I-ke-ba-na (Ee-kay-bah-nah)

A- ah

E- A as in ape (or eh)

i – ee as in “eek”

o- o as in Bow

u- u as in super

Below this phonetic breakdown is a note about the Sogetsu school of ikebana. There are many schools of ikebana, each following its own philosophy of design and style.


Ikebana International Magazine bound into one book, 1974-1977
Katherine Wallick Ikebana Collection
01 MSS 2008-020

This bound compendium of Ikebana International Magazine contains issues from 1974-1977. The pages displayed here are from Issue 47 contain images and descriptions of the materials and containers used in each arrangement, as well as a critical description of the arrangements pictured.


Katherine Wallick’s Ikebana Workshop Notebook, undated
Katherine Wallick Ikebana Collection
01 MSS 2008-020

This second notebook page contains a preliminary sketch of the “basic upright style” ikebana arrangement that Wallick was learning about. The angle at which certain plant elements (such as flowers, leaves, or stems) lean at is of utmost importance in ikebana arrangements. One can note the system by which Wallick identified the different elements in her arrangements (perhaps as instructed so by her teacher) by comparing this page with the other notebook on display.

You can explore the contents of the collection online here: https://archives.lib.fsu.edu/repositories/4/resources/510. If you would like to see these exciting objects in person, please visit the Special Collections Reading Room, Monday to Friday 10 am to 6 pm.

State of Cinema: The Richard Alan Nelson Collection

Florida has long played host to the production of films and television series, from seminal horror film Creature from the Black Lagoon (1954, parts of which were filmed in our very own Wakulla Springs!) to the current production of Bad Boys for Life (currently filming in Miami and slated for a 2020 release). The Richard Alan Nelson Collection contains documents detailing film production in various Florida cities, movie posters, motion picture companies, publicity stills of actors and actresses, and film law.

The collection even features a folder (7, in Box 922) of what the cinema scene looked like in Tallahassee at the time of Nelson’s dissertation work, the late 1970s. In a preserved volume of New Look, a local entertainment magazine, journalist Rick Oppenheim described local cinemas struggling to keep their doors open, paying “90% of their box office receipts (with house operations skimmed off the top) to a tight-fisted [film] distributor for the rental of a first-run film”, leading to cinemas holding on to blockbuster films like Star Wars (which were highly expensive to rent) for months on end, and less likely to gamble on new films which may hurt their bottom line.

For more information on this collection, please visit its finding aid. If you’d like to visit Special Collections and explore the documents in person, we welcome visitors Monday to Friday, 10 am to 6 pm.

“Field Flowers,” a bouquet of poetry from Eugene Field

Long known as the “Poet of Childhood,” Eugene Field is famous for his satirical and whimsical poems that evoke dreams, mischief, and romance. One of his most well-known poems “Wynken, Blynken, and Nod” conjures images of the three eponymous sailors casting nets for stars in a crystal-brilliant sea in a child’s dream. 

All night long their nets they threw 
   To the stars in the twinkling foam— 
Then down from the skies came the wooden shoe, 
   Bringing the fishermen home; 
‘T was all so pretty a sail it seemed 
   As if it could not be, 
And some folks thought ‘t was a dream they ‘d dreamed 
   Of sailing that beautiful sea— 
   But I shall name you the fishermen three: 
                     Wynken, 
                     Blynken, 
                     And Nod.1

Field continued his lighthearted and fantastic poems continued to be published after his early death in 1895, at the age of 45. The posthumously published “Field Flowers”  (1896) continues this streak of the magical in the pastoral “Cornish Lullaby”.  

Out on the mountain over the town, 
All night long, all night long, 
The trolls go up and the trolls go down, 
Bearing their packs and crooning a song; 
And this is the song the hill-folk croon, 
As they trudge in the light of the misty moon,– 
This is ever their dolorous tune: 
“Gold, gold! ever more gold,– 
Bright red gold for dearie!” 
 
Deep in the hill the yeoman delves 
All night long, all night long; 
None but the peering, furtive elves 
See his toil and hear his song; 
Merrily ever the cavern rings 
As merrily ever his pick he swings, 
And merrily ever this song he sings: 
“Gold, gold! ever more gold,– 
Bright red gold for dearie!” 
 
Mother is rocking thy lowly bed 
All night long, all night long, 
Happy to smooth thy curly head 
And to hold thy hand and to sing her song; 
‘T is not of the hill-folk, dwarfed and old, 
Nor the song of the yeoman, stanch and bold, 
And the burden it beareth is not of gold; 
But it’s “Love, love!–nothing but love,– 
Mother’s love for dearie!” 

As a popular poet of his time, Field’s work was commented in other publications, such as the article “Some Current Literature” by Van Der Dater in the journal Bradley, His Book (1897).

If Field’s poetic works intrigue you, you can further explore the digitized copy of “Field Flowers” at the Special Collections Research Center at Strozier Library or here at the FSU Digital Library.

  1. “Field, Eugene. Wynken, Blynken, and Nod” from “The Golden Book of Poetry” (1947), Poetry Foundation, Poetry Foundation www.poetryfoundation.org/poems/42920/wynken-blynken-and-nod; originally published in “Trumpet and Drum” (1892). 

Everglades National Park Commission Papers

Dew in the morning, NPSphoto, G.Gardner
Dew in the morning, NPSphoto, G.Gardner

In our current climate of growing environmental concern, the condition and protection of national parks has become a recurring part of our 24-hour news cycle. Everglades National Park is Florida’s most famous national park and is as central to the state’s identity as its famous beaches. According to the National Park Foundation, over one million visitors from all parts of the globe visit Everglades National Park every year. The park has also been lauded as a World Heritage Site, as well as an International Biosphere Reserve and a Wetland of International Importance. But how did the Everglades go from millions of acres of unprotected swampland to one of the United States’ most important and unique protected natural spaces?

Through the power of bureaucracy, of course!

As August Burghard, Chairman of the Everglades National Park Commission, notes in a 1946 letter, “To The Property Owners Within the Everglades National Park Area”, “The Everglades National Park is not a new thing. It had its beginning in 1929 when the Florida legislature passed an Act providing for the acquisition of the park lands and property in Dade, Monroe, and Collier Counties for the purpose of conveying the same to the United States Government to be used as a National Park.” The letter further details the reasons for the creation of the Everglades National Park and the Commission’s duty in acquiring land by donation to achieve this end. This letter, as well as the minutes from the first meeting of the Everglades National Park Commission are available for viewing in the Special Collections Reading Room. If you would like to dive into some of the earliest history of Florida’s most famous national park, you can start your journey here